Double Robert Pattinsons Are the Reason to See Mickey 17

ScareOning June-Ho is not a subtle director, and he was never. Ominous killer-on-the-louge thriller Memories of murder, Sortonic animal facility Host, Future downer Snowpearer, Multiple-Oscar winning class-warfare ParasiteTough All of these movies are at the top of the design, which is part of the people who find them fun. Ridiculously terrible murder, unclear. Annic fantasy creatures and lover of nasty small plot turns, he is the director with the courage of his belief. It is very careful about the risks of the official atmosphere, the Havs and the Heave-Notes, the risks of the official mad whose power is-if its important ideas will never come as hard. He is a clever, inventive filmmaker, but worsens, his movies can push eccentrically.

Bung Mickey 17, Ashton Edward’s 2022 Vijay Mickey 7, Based on a terrifying base: it is 2054 and the haphazard -in -law Mickey Barnes, which is played by Robert P ATT Tinson, is very daunting to avoid bad debt reactions that he is part of a group of eager civilians leading to a new and apparently better planet called Niflham. But because this enterprise has been led by a vague politician with almost a Macecian grip on his fans, Mark Rufalo’s Kenneth Marshall, so many ambitious space cadets have signed up. To get a place on the spaceship, Mickey Volunteers will be “spending”, which means that it will be expected to carry out dangerous missions and serve as a subject ready for a number of fatal experiments. In other words, he expects to die in the service of Niflahime’s colonization, though his death does not mean anything: every time he kicks the bucket, his body is fed by a special 3-D Cop pear, and his memories and character traits are re-injected into his mind.

That means Mickey knows what he feels like dying, and that is a question that he is asked a lot, though his favorite work of his brain gives him unable to answer enough. In addition, by the time the film opens, Mickey has died on the icy, disgusting planet Niflhame, and has often resurrected that this question does not mean anything for him. The movie backtracks to explain how he got to be Mickey 17 by Running us through Several of His Previous Mickey Incarnations, as well as detailing how he is girlfriend, nasha, Abood Marshall’s Grim, Gray Intergalactic Ship: One Evening, As The Ship’s Crew and Passengers Eat their Skimpy, Rationed Cafeteria Meal, Marshall and His Scheming Wife Ylfa (Toni Collette) Their Luxury for Greetings Emerges from quarters – and accidentally, ban sex until the ship lands. (It burns a lot of valuable calories.) The cafeteria crowd beams with worship on them – except into intoxication and Mickey, and they turn their eyes in each other’s direction, it is at first glance love.

Both of them are to worship each other, though intoxication is a high-level implementer in the new world order and Mickey, good, is spent. His life is difficult, but he does not complain; He tells many of his story in a delirium, Snavil and Voice Is-Over, who belongs to a person’s lit, who has never been standing for himself. Their free timo (Steven Yun, mostly in vain in the role that asks a little of it), the person who painted it in such a debt in the first place, is also in the ship; It is no help, and more than one people think that Mickey will die, because he knows that his moment will be copied only the next day. .

Nevertheless, these critics, who have dubbed the “crippers” unexpectedly, may not be as hostile as it appears: like all the Bong movies, plot points and degradation zig-zeg and the way that are more enthusiastic than enthusiasm. Meanwhile, due to the mixup, the Mickey 18 actually comes out of the copier before the Mickey 17 ends; In the process of drinking a ying, duplicates are prohibited. More complicated: Mickey 18 has an aggressive, bitter edge that is not Mickey 17, but he has a little understanding of self-defense. This duel makes Mickey Mickey 17 A little Parent trap, Or old Py Tyty Duke Show, Just in space and in very little fun.

You can do a lot with the original idea of ​​the rear Mickey 17, Especially with a sensitive, capable actor like Petinson. His Mickey 17 is both dear and frustrating, while his Mickey 18 is full of snoring swagger. Looking at the face of the two is at least a light fun, and perhaps in the Vittiest Touch of the film, Nasha compared the two of the beds: she likes both, as a “lighter,” other “Habenero”.

But excessive complex plots are removed from the bong. He likes his bitter jokes, and Mickey 17 Loaded with them: Yulfa is a self-style gourmand that just Love The sauces, and at one point, they cruel from the baby’s tail so that they can blitz in the blender; It’s one of those nasty little details that is nowhere and eventually means a little. And the villain Marshall has a surprising similarity with two people who surely live and do not die, it’s nothing but jockey strange. (Bong likes its wrinkled, tight closetups of lips-smacking badies.) To colonize other planets, its almost mystical grip on its menia and its glass-eyed followers (they are clusters of the marshal, marshal, marshal, marshal. Emphasizing, in its dringo monoton of speaking, it intends to create a “pure, white planet full of us” if it was not a line for 2025.